

Recently I partnered with ART PHOTO EXPO GALLERY, they are a Parisian couple that started the ARTPHOTOEXPO FAIR, created and produced by ART PHOTO EXPO CONCEPT GROUP as an avant-garde fair showcasing the world’s leading photographic art galleries. The first ARTPHOTOEXPO FAIR debuted in 2008 as a boutique gallery-based fair within established IN FASHION PHOTO exhibition. The Fair received a terrific response from the public, press and exhibiting galleries with over 30,000 attendees in 6 days, $2.5 million in press coverage and sales figures that exceeded expectations. During Art Basel 2008, ARTPHOTOEXPO FAIR offered a prime location and über chic space design, to ensure that a maximum number of art collectors and enthusiasts had access to the best photographic artworks. The main feature was the Naomi Campbell retrospective.
On September 14th, they opened their New York City location in SoHo, on West Broadway. The Art Photo Expo Gallery is in the former shoe store of Natalie Portman, where she sold limited edition shoes. Currently I have six of my father’s photographs from the 60's of Ali, Elvis and the Beatles hanging along with the works of some of the finest examples of fashion photography. My father’s collection hangs in the vintage section along with the works of Helmut Newton and photographs of Bridget Bardot, Steve McQueen and Alfred Hitchcock.
I attended the opening with two close friends, Ronna Gradus and Jill Bauer, they are currently in discussion with HBO about their documentary, “Sexy Baby”.
www.artphotoexpo.com
In creating Bella Famiglia Photography, it’s chief mission is to photograph women pregnant in the lush garden in my backyard, I also wanted to contribute my photography in a way that would benefit in a meaningful way. I was introduced to Schatzi Kassal, one of the founders of Project: New Born.
Project: New Born is a nonprofit philanthropic organization founded in 1973 by a group of committed and dynamic women who devoted themselves to raising much-needed funds for maintenance and support of the Project: New Born Neonatal Special Care Center, a facility for imperiled premature and high risk infants located at the University of Miami/Jackson Memorial Hospital. In 1986 Project: New Born was joined by the Infantry, an offspring group of young energetic men and women, dedicated to the same goals and pledged to support the annual funding necessary to provide the best possible care for the babies.
Schatzi gave me a tour of the unit one Saturday morning, and it was remarkable how the facility welcomed us to the unit. You could tell Project New Born has been a great contributor to the success and survival rate. We walked through the three units watching the tiniest babies I have ever seen breath and wiggle their tiny fingers and toes. But what tears your heart out is the sight of the mother and father fixed in a stare, watching the child for hours, some throughout the night.
This is when I got my vision, I wanted to help and my idea felt right! I want to shoot a series of portraits that will line the hallway leading to the unit. The portraits will be of former patients in the unit, remember PNB has been involved for over thirty years. These former ICU survivors will be holding recently released infants. The message: yes, although this is a scary time to watch your newborn child in an incubator, the message from the images in the hallway will say, yes there are plenty of happy endings in this unit. A message of hope!
Gil Green, urban storyteller, has directed the videos for some of music best know acts: Linkin Park, Fat Joe, Lil Jon, Trick Daddy, Pit Bull, Flo Rida, and Lil Wayne. But I rolled up on Gil as he was directing a video in one of Miami’s toughest neighborhoods in Liberty City Green had taken over an inner-city project using the residents as extras for a video he was shooting of Black Dada’s remix single “Imma Zoe”.
Between takes Gils was easy to approach and work with for my photograph. With no shortage of funky props, I eyed the candy red classic convertible, and had Green jump in the back seat and pose but only after he removed the cast from his injured arm. Never looking through the camera I held it high over my head to capture Green immersed in the red seat, as you can tell he is very tall with arms that outreached the beam of the car.
Green isn't looking for the stereotypical rap video, "There is a way to think and step out of the box and interpret the music in a positive way."
After the short shoot I followed him as he directed the cameras rolling through the complex and getting the residents to just be themselves as the rapper and music turned the place into a mid-afternoon dance club.
MIAMI SOCIAL, the latest reality-show from BRAVO about our own South Beach. Cameras follow seven of SoBe socialites as they hang out every bit of their personal, professional life and then watch them morph into party animals at night. The show does a great job of making South Beach look sexy and beautiful; and yeah if your watching the show in Kansas you would be thinking, “Wow, let me get some botox pumped into my forehead and jet-off to SoBe.” I had a photo session with three of the cast members, Ariel, Sorah and Hardy, at the roof top pool at the Gansevoort South Hotel Spa on South Beach. Up close, real nice, easy to work with and very polite, but on the show I’m not sure they would invite me into their VIP section at the club.
Miami Herald reporter Casey Woods and I traveled to Bimini to find human smugglers for a story, a task we thought would be difficult. An island swamped with pirates and smugglers in the 70’s and 80’s, we thought it would be a distant history. Well, one thing we didn’t count on, most smugglers from the last century still lived on the small island. And still dabbled in the trade.
It was part of a larger project for the Miami Herald on immigration. The SPJ awarded two of my fellow photographers and me second place in FEATURE PHOTOGRAPHY SERIES.
After traveling the state in 2007 photographing the parents of soldiers who lost their children in the war, I was moved to do what I could to help and support the soldiers. It taught me that until you sit in the living room of a family that lost their child in the war, you would never truly understand its consequences.
Images above: Costello and his sister Carmela with the supplies. And Harry and his family, they buried their son in their backyard near Tallahassee. A request he gave his father before leaving for Iraq.
My maternity portraits are the latest projects I have passionately pursued with my camera. (www.bellafamigliaphotography.com) I was inspired to be a photographer by the images my father shot in his years as Director of Photography at The Miami Daily News. One of his young protégés, Michael O’Brien, was drawn with a mission to photograph the underprivileged living in Miami’s poorest neighborhoods, resulting in numerous awards and interest. This lead to my project called “THE CORRIDOR.” I documented the neighborhoods between I-95 and the railroad tracks to the east from Deerfield Beach to Overtown. I return every nine years to re-photograph five of the subjects and show how their lives have changed. (www.charlestrainorjr.com) And it has always been for the better. (Images above: Ralph at age 6, with his new home at 15 and at FAMU at 24)
After 18 years into the project I felt it was complete enough to try and hang in a gallery during Art Basel 2008. Ignacio Gurruchaga, owner of the INDEPENDENT GALLERY in Wynwood worked with me tirelessly but he also helped to hang my father’s photography. My father covered Miami as a photographer when the city was beginning to come into its own. In the 50s and 60s the city hosted iconic individuals; Elvis Presley, The Beatles, candidate and soon to President John F. Kennedy, Cassius Clay and Cuban dictator Fidel Castro, he had an infamous impact on the city. This was mid-century Miami, a time when the world was seeing this city take its place on the international set. We called the show “INTERSECTION”, a city where these iconic figures almost bumped shoulders within a few short years. The show was an incredible experience, two rooms filled with photographs from two generations from the same city, the same family, my family.
Opening night was busy with a curator from New York buying three Corridor prints without hesitation. Then my friend Kerry Sanders of NBC News delivered as promised, he walked in with Kimberly Marrero, Curator and Art Advisor at the Guggenheim in New York City. She loved both shows encouraging me to contact the International Center of Photography and show them The Corridor. The show hit its final peak one night when Ignacio called me and said Lenny Kravitz is in the gallery and wants to meet you. After four hours of talking photography, Lenny is also a photographer, we traded prints and planned to meet later and pursue a project together. He is on tour in Europe now and has just recorded a new album. This was truly a treat, and he is truly an artist in every aspect, the image he offered me could hang in any gallery respectfully. I currently have several projects or shows in the works for Art Basel 2009. And yes, my mother was at the show.
After a year of shaping my vision for a new photography business I’m finally close to marketing the photography site. Bella Famiglia Photography started with my friend Buddy, owner of the SouthPort Raw Bar, asking me to photograph his pregnant wife Noi. When asked I immediately remembered the photograph I shot of my godson’s mother on Fort Lauderdale beach. Veronica and I were driving along A1A near Las Olas, I had a white Roman column in the back seat of my car and she was 8 months pregnant. I suggested we take the column on the beach and have her sit on the column for a photograph, with a Hasselblad film camera. I think it took less than five minutes to shoot the picture.
Fast forward 11 years, me with more photography experience and seeing the same image with Noi except executed with location lights and the latest digital equipment. A full fashion shoot, the one that makes the bathers wonder who is that famous model. We arrived at the beach, battled 20kt winds with flying sand, I used Buddy as a light stand to hold the soft box and watching him point the light everywhere but at his wife. The shoot was a total struggle. But the reward came at Noi’s shower, she unwrapped the picture and began to cry, months of carrying the child she expressed her love for Buddy and how he has been a wonderful husband while she held the framed print. It only equaled the time that Todd, my godson’s father and Veronica’s husband, walked into my house and saw the photograph of his wife with child on the column on the beach. “The most beautiful picture I have ever seen," Todd said.
I couldn’t think of any better reason for Bella Famiglia Photograhy to be, I had taken photographs that truly offered my closest friends a special memory to have for life. And those memories will always be with me, and it makes Bella Famiglia Photography a passion more than a business.